Dauskie Memories at the Columbia Museum of Art in May

by Wallace Cunningham

AARP SC Multicutural Outreach

Jeanne Moutoussamy-Ashe, the widow of legendary tennis star Arthur Ashe, will have a photography exhibit “Dafuskie Memories” at the Columbia Museum of Art from May 27 – August 7. She has achieved excellence and recognition in her field, especially on a project to make sure that Black women photographers are not forgotten.

In addition, to the exhibit her book Daufuskie Island: 25th Anniversary Edition will be in the museum store for a limited time. Jeanne’s photos are perhaps the most complete historical record of what life was like for Black Daufuskie residents in the waning days of native island life.
Book Highlight's
“When Moutoussamy-Ashe first came to Daufuskie in 1977, about eighty permanent African American residents lived on the island in fewer than fifty homes. Many of the people still spoke their native Gullah dialect. They had only one store, a two-room school, a nursery, and one active church. This represented all that remained of a once-thriving black society which developed after the original plantation owners left and the land was bought by freed slaves.

After the boll weevil caused cotton crop failures and pollution ruined oyster beds, more and more residents sold their land to commercial developers. It became clear that Daufuskie would soon be transformed into a coastal resort like neighboring Hilton Head, changing forever the unique island culture that survived largely unchanged for the preceding half-century.

Moutoussamy-Ashe’s photographs show family gatherings, crabbing and fishing, children at play, spiritual life, and the toils of everyday existence. With the utmost respect for her notoriously shy subjects, she captured a powerful vision of their rough-hewn but rewarding life independent from many modern conveniences. Redesigned from cover to cover, the twenty-fifth anniversary edition of Daufuskie Island includes more than fifty previously unpublished photographs from the original contact sheets, a new preface by Deborah Willis, and a new epilogue by Moutoussamy-Ashe.”